题目:
国家赔偿以( )为主要方式.
A.返还财产
B.恢复原样
C.支付赔偿金
D.消除影响
答案:
参考答案:C
解析:国家赔偿以支付赔偿金为主要方式.
国家赔偿以( )为主要方式.
A.返还财产
B.恢复原样
C.支付赔偿金
D.消除影响
参考答案:C
解析:国家赔偿以支付赔偿金为主要方式.
某城市开展工业用地定级,该市工业区有一条全市性的交通型主干道D路,影响半径为5km,有一条支路穿过定级单元j,直通D路,j定级单元中心点距D路的垂直距离为2km。按照《城镇土地分等定级规程》(GB/T18507-2001),该定级单元内道路通达度分值FR可能为()。
A.60
B.54.6
C.48.6
D.15.8
辛凉药多能()
A.发散风寒
B.清热燥湿
C.发散风热
D.利水渗湿
E.补气助阳
在化学实验课上,同学们想检验实验室中一瓶氢氧化钠固体是否变质,设计了如下四个实验方案:各取少量固体加水溶解,再分别加入足量下列溶液,观察现象,得出结论.其中可行的是( )
A.
B.
C.
D.
上市公司要建立募集资金专项存储制度,募集资金必须存放于公司董事会决定的专项账户。( )
Ragtime is a musical form that synthesizes folk melodies and musical techniques into a brief quadrille-like structure, designed to be played—exactly as written—on the piano. (46) A p analogy exists between European composers like Ralph Vaughan Williams and Edward Grieg, who combined folk tunes and their own original materials in larger compositions and the pioneer composers in the United States. Composers like Scott Joplin and James Scott were in a sense collectors or musicologists, collecting dance and folk music in Black communities and consciously shaping it into brief suites or anthologies called piano rags.
It has sometimes been charged that ragtime is mechanical. For instance, Wilfred Mellers comments, "rags were transferred to the pianola roll and, even if not played by a machine, should be played like a machine, with meticulous precision." (47)However, there is no reason to assume that ragtime is inherently mechanical simply because commercial manufacturers applied a mechanical recording method to it, the only way to record pianos at that date. Ragtime’s is not a mechanical precision, and it is not precision limited to the style of performance. It arises from ragtime’s following a well-defined form and obeying simple rules within that form.
The classic formula for the piano rag disposes three to five themes in sixteen-bar strains, often organized with repeats. (48)The rag opens with a bright, memorable strain or theme, followed by a similar theme, leading to a melody of marked lyrical character, with the structure concluded by a lyrical strain that parallels the rhythmic developments of the earlier themes. The aim of the structure is to rise from one theme to another in a stair-step manner, ending on a note of triumph or exhilaration. Typically, each strain is divided into two 8-bar segments that are essentially alike, so the rhythmic-melodic unit of ragtime is only eight bars of 2/4 measure. (49) Therefore, not concerned with development of musical themes, the ragtime composer instead sets a theme down intact, in finished form, and links it to various related themes that are brief with clear melodic figures. Tension in ragtime compositions arises from a polarity between two basic ingredients: a continuous bass—called by jazz musicians a boom-chick bass--in the pianist’s left hand, and its melodic, syncopated counterpart in the right hand.
Ragtime remains distinct from jazz both as an instrumental style and as a genre. Ragtime style stresses a pattern of repeated rhythms, not the constant inventions and variations of jazz. (50)As a genre, ragtime requires strict attention to structure, not inventiveness or virtuosity, existing as a tradition, a set of conventions, a body of written scores, separate from the individual players associated with it. In this sense ragtime is more akin to folk music of the nineteenth century than to jazz.
(49) Therefore, not concerned with development of musical themes, the ragtime composer instead sets a theme down intact, in finished form, and links it to various related themes that are brief with clear melodic figures.